Solo exhibition containing the unravelling narrative of an imagined Scottish music festival and a questionable narrator’s account of it.

A looping film inside a gazebo, alongside paintings, monumental drawings, and ephemeral festival sculptures showcased a Scottish hauntology as a multidisciplinary, self-examining, pseudo-mythology. By scavenging online media; YouTube rips, phone footage, and game textures, I collaged reconstructions of lived and imagined experience through fictional self-portraits. My practice sits between confession and invention, using autofiction as a medium to question the reliability of personal and collective experience in our digitised age.